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Silliman's Blog
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<p class='description'><span>A weblog focused on contemporary poetry and poetics.</span></p>
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Showing posts with label <b>Michael McClure</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a>
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<div class='status-msg-hidden'>Showing posts with label <b>Michael McClure</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a></div>
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<h2 class='date-header'><span>Friday, March 27, 2015</span></h2>

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from a film by<br />
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O Moore</span></a></span></b><span style="color: #0d0d0d; font-size: 12.0pt; line-height: 115%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;"><o:p></o:p></span></span></div>
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<a class='timestamp-link' href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/2015/03/blog-post_27.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2015-03-27T00:00:00-04:00'>Friday, March 27, 2015</abbr></a>
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<a href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/search/label/Michael%2520McClure' rel='tag'>Michael McClure</a>,
<a href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/search/label/Readings' rel='tag'>Readings</a>,
<a href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/search/label/Richard%2520O.%2520Moore' rel='tag'>Richard O. Moore</a>
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<i style="mso-bidi-font-style: normal;"><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">USA Poetry</span></i></div>
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<a class='timestamp-link' href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/2014/02/14_21.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2014-02-21T00:00:00-05:00'>Friday, February 21, 2014</abbr></a>
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<h2 class='date-header'><span>Wednesday, February 05, 2003</span></h2>

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<span style="font-family: Arial;">Reading Eleni Sikelianos&#8217;
poem, an excerpt from a longer text entitled &#8220;</span><st1:state><st1:place><span style="font-family: Arial;">California</span></st1:place></st1:state><span style="font-family: Arial;">,&#8221; in the new issue of <i style="mso-bidi-font-style: normal;"><a href="http://www.tandf.co.uk/journals/titles/14760851.html">Radical
Society</a></i>, I had a strange experience. I felt the presence of <a href="http://mcclure-manzarek.com/mcclure.html">Michael McClure</a>. Not the
McClure of the <i style="mso-bidi-font-style: normal;">Ghost <span class="SpellE">Tantras</span>,
</i>the plays or the ecstatic howls of the should-have-been ineffable, but
rather the cosmological McClure, the PBS pop science McClure, casting into
centered texts meditations based on things he&#8217;s seen or read about the natural
world in the popular media. For example, this piece, entitled &#8220;For the Death of
100 Whales&#8221;:<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="font-family: Verdana; font-size: 10.0pt;">Hung <span class="SpellE">midsea</span>
<br />
<span class="GramE">Like</span> a boat mid-air <br />
The liners boiled their pastures: <br />
The liners of flesh, <br />
The Arctic steamers <o:p></o:p></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="font-family: Verdana; font-size: 10.0pt;">Brains the size of a teacup <br />
Mouths the size of a door <o:p></o:p></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt;">The sleek wolves <br />
Mowers and reapers of sea <span class="SpellE">kine</span>.</span></span><span style="font-family: Verdana; font-size: 10.0pt;"> <br />
<span class="GramE">THE GIANT TADPOLES <br />
(Meat their algae) <br />
<span class="SpellE">Lept</span> <br />
Like sheep or children.</span> <br />
Shot from the sea's bore. <o:p></o:p></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="font-family: Verdana; font-size: 10.0pt;">Turned and twisted <br />
(Goya!!) <br />
<span class="GramE">Flung blood and sperm.</span> <br />
<span class="GramE">Incense.</span> <br />
Gnashed at their tails and brothers <br />
Cursed Christ of mammals, <br />
Snapped at the sun, <br />
Ran for the Sea's floor. <o:p></o:p></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="font-family: Verdana; font-size: 10.0pt;">Goya! Goya! <br />
Oh Lawrence <br />
No angels dance those bridges. <br />
OH GUN! OH BOW! <br />
There are no churches in the waves, <br />
No holiness, <br />
No passages or crossings <br />
<span class="GramE">From</span> the beasts' wet shore. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">This poem, which McClure
read at the Six Gallery reading in 1955 that helped to spark the so-called Beat
Revolution &#8211; &amp; not co-incidentally first pointed out to the world at large
that </span><st1:city><st1:place><span style="font-family: Arial;">San Francisco</span></st1:place></st1:city><span style="font-family: Arial;"> was as vital a center for American letters as </span><st1:state><st1:place><span style="font-family: Arial;">New York</span></st1:place></st1:state><span style="font-family: Arial;"> &#8211; is predicated on an April 1954 story in <i style="mso-bidi-font-style: normal;">Time </i>magazine about, <a href="http://www.thing.net/~grist/l&amp;d/mcclure/mcclurea.htm">in McClure&#8217;s
own words</a>, <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: .5in; margin-top: 0in; text-align: justify;">
<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">seventy-</span></span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">nine
bored American <span class="SpellE">G.I.s</span> stationed at a NATO base in </span><st1:country-region><st1:place><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">Iceland</span></st1:place></st1:country-region><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">
murdering a pod of one hundred killer whales. In a single morning the soldiers,
armed with rifles, machine guns, and boats, rounded up and then shot the whales
to death.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">Although this is not the
kind of poem that McClure is typically represented by in the anthologies, it is
a type of poem that he has written his entire life. Its value lies not in
McClure&#8217;s research &#8211; none is involved &#8211; but rather in the way he imbues the
topic with emotion &amp; narrative figuration. In a sense, this is the opposite
of the &#8220;research poem,&#8221; whether of the Pound-Olson variation with their
unintentional parodies of the scholar fumbling around in the archives or of the
more journalistic &#8220;investigative poetry&#8221; approach advocated in recent decades
by Ed Sanders. Another poet who literally made use of PBS and other mainstream
media not only for ideas, but for layers of content thus displayed, was Larry
Eigner. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">When I was growing up as a
poet in the 1970s, I used to hear other writers comment negatively &#8211; sometimes
emphatically so &#8211; about this side of McClure&#8217;s poetry, as though it were a kind
of debased product &amp; that, in working from sources in everyday media,
McClure was essentially revealing a kind of laziness that was at the heart of
his project, not unlike the equally scandalous process of allowing other people
type up his holographic manuscripts &amp; perform what in the age of the
typewriter was not an inconsequential function: the centering of his lines.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">Somewhere along the line I
decided that this was a bad rap. In an age where Andy Warhol &amp; others &#8211;
this was still pre-Jeff Koons &#8211; were utilizing assistants to help construct the
work of art*, any insistence on doing your own research struck me as a kind
defensive measure on the part of writers who felt that, if such aid &amp;
delegation were possible, then perhaps readers might not appropriately
appreciate their own devotion to all the ancillary tasks that might envelop the
act of writing. The work that struck me as the decisive argument for the
permissibility of appropriated materials as a source for literature was <a href="http://epc.buffalo.edu/authors/reznikoff/">Charles Reznikoff&#8217;s</a><i style="mso-bidi-font-style: normal;"> Testimony. <o:p></o:p></i></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">The primary differences
between Reznikoff&#8217;s approach &amp; McClure&#8217;s are (1) Reznikoff&#8217;s focus was the
social while McClure has been more drawn to the natural world &amp; (2)
Reznikoff&#8217;s approach to these materials has been one of minimal overt
commentary, almost a deadpan transparency, while McClure&#8217;s has been one of a
drum-beating &amp; hollering display of empathy. Empathy, of course, has ever
been &#8220;<span class="SpellE">uncool</span>&#8221; &amp; &#8220;<span class="SpellE">unhip</span>&#8221;
&amp; I suspect McClure had to deal with that prejudice back in the 1950s every
bit as much as in the 1970s &amp; &#8216;80s<span class="GramE">.*</span>* <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">Sikelianos&#8217; poem skips the
drum-beating &amp; ALL CAPS HOLLERING, but in fact is an act of empathic
inhabitation of a milieu inhabitable today only in the imagination: <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">There
was still the problem<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">of</span></span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;"> the mystery of regenerative forces here on Earth.<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<br /></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">My
early </span><st1:state><st1:place><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">California</span></st1:place></st1:state><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">ns<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">might</span></span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;"> have been prowlers &amp; plunderers, lover of the
lower orders of intelligence<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">They
might have had a fortunate notes or eyes or horns<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">of</span></span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;"> surprising size. <span style="mso-tab-count: 1;">&nbsp;&nbsp;&nbsp;&nbsp; </span>They
were<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">4-handed
animals or omnivorous quadrupeds or<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">My
early Californians might have been 8-feet tall stomping around in the glacial
ice<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<br /></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">Ages-extinct
fires nearly tiny dragon-headed lakes<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">Chasing
the </span><st1:country-region><st1:place><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">America</span></st1:place></st1:country-region><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">n
camel, chewing the fat fireside &amp; touching up a wooly mammoth,<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">mini-horses</span></span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">, imitation<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">bison</span></span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;"> four times the weight<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">of</span></span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;"> buffaloes, ground sloths the size of tanks,<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">giant</span></span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;"> shining armadillo roll over, silver<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">wheels</span></span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;"> crushing tender </span><st1:city><st1:place><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">grasse</span></st1:place></st1:city><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">s,<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">Edentata
belonging to the (inhabited) Earth,<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">edacious</span></span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;"> at the tooth<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">of</span></span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;"> Time, nibbling some sweet thing, fiery<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">Hymenoptera
edulcorated by their history with men<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">Shades of Forrest </span><st1:city><st1:place><span style="font-family: Arial;">Gander</span></st1:place></st1:city><span style="font-family: Arial;">! This text itself has been edulcorated &#8211; that <i style="mso-bidi-font-style: normal;">c</i> can be pronounced either hard or soft
according to the <i style="mso-bidi-font-style: normal;">OED</i> &#8211; by
polysyllables a-babble. What we have here &#8211;the quotation above constitutes
maybe one-fifth of the <i style="mso-bidi-font-style: normal;">Radical Society</i>
excerpt &#8211; is poem as nature museum diorama. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">Writing of <i style="mso-bidi-font-style: normal;"><a href="http://www.coffeehousepress.org/earliestworlds.asp">Earliest Worlds</a> </i>last
<a href="http://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/2002_09_01_ronsilliman_archive.html%2381665162">September</a>,
I noted how Sikelianos&#8217; work there included lines that were &#8220;among the most
thoroughly conceived and written, most thoroughly <i style="mso-bidi-font-style: normal;">heard</i> (&amp;, not coincidentally, <i style="mso-bidi-font-style: normal;">felt</i>) since Charles Olson was a young man.&#8221; Almost by its nature
&amp; certainly by its genre, &#8220;</span><st1:state><st1:place><span style="font-family: Arial;">California</span></st1:place></st1:state><span style="font-family: Arial;">&#8221; is a more relaxed piece of writing. It&#8217;s probably
accessible to a broader range of readers, albeit at the cost being less
exhilarating to that core <span class="GramE">who&#8217;ve</span> seen what Sikelianos
at her most intense can do. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span class="GramE"><span style="font-family: Arial;">Which
brings my back to Michael McClure &amp; the question of choices in writing.</span></span><span style="font-family: Arial;"> The very qualities &#8211; empathy &amp; narrative
figuration &#8211; that I suspect enabled the <i style="mso-bidi-font-style: normal;">Radical
Society </i>editorial board to include this work in the first issue of the
journal&#8217;s new life are those which are most apt to divide poetry&#8217;s primary
group of readers, who may well find it all too &#8220;inauthentic.&#8221; Since this is an
excerpt, it will be interesting to see how &#8220;</span><st1:state><st1:place><span style="font-family: Arial;">California</span></st1:place></st1:state><span style="font-family: Arial;">&#8221; develops &amp; also how it&#8217;s received. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial; font-size: 10.0pt;">* If Sol <span class="SpellE">Lewitt</span> actually drew all those lines on art museum walls
himself, he&#8217;d end up in the <a href="http://www.avam.org/">American Visionary
Art Museum</a>.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial; font-size: 10.0pt;">** Thus,
for example, I don&#8217;t recall ever having seen an article that fully explored
what I take to be McClure&#8217;s greatest contribution to poetry &#8211; his exquisite
sense of the pacing of detail. It&#8217;s a side of his writing that shows up most
sharply delineated in the cosmology poems. <o:p></o:p></span></div>
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<h2>Silliman Sites</h2>
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<li><a href='http://www.poets.org/poet.php/prmPID/1544'>Academy of American Poets</a></li>
<li><a href='http://epc.buffalo.edu/authors/silliman'>Electronic Poetry Center</a></li>
<li><a href='http://www.facebook.com/ron.silliman'>Facebook</a></li>
<li><a href='http://www.goodreads.com/search/search%3Fsearch_type%3Dbooks%26search%5Bquery%5D%3Dron%2Bsilliman'>GoodReads</a></li>
<li><a href='http://www.english.illinois.edu/maps/poets/s_z/silliman/silliman.htm'>Modern American Poetry</a></li>
<li><a href='http://writing.upenn.edu/pennsound/x/Silliman.php'>PennSound</a></li>
<li><a href='http://www.pcah.us/the-center/grants-awarded/grantees-1998-ron-silliman/'>Pew Fellowships in the Arts</a></li>
<li><a href='http://www.poetryfoundation.org/archive/poet.html?id=6323'>Poetry Foundation</a></li>
<li><a href='http://ronsillimanbibliography.blogspot.com/'>Silliman's Bibliography</a></li>
<li><a href='http://www.spdbooks.org/Search/Default.aspx?AuthorName=Ron+Silliman'>Small Press Distribution</a></li>
<li><a href='http://eclipsearchive.org/projects/TOTTELS/'>Tottel's</a></li>
<li><a href='http://twitter.com/ronsilliman'>Twitter</a></li>
<li><a href='http://www.ubu.com/contemp/silliman/index.html'>Ubuweb</a></li>
<li><a href='https://library.ucsd.edu/speccoll/findingaids/mss0075.html'>UC San Diego Archives</a></li>
<li><a href='http://en.wikipedia.org/wiki/Ron_Silliman'>Wikipedia</a></li>
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<h2 class='title'>Ketjak</h2>
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<a href="http://www.ucpress.edu/books/pages/10742.php">I: The Age of Huts<br /><br /></a>             <a href="http://www.ucpress.edu/books/pages/10742.php"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh6.googleusercontent.com/proxy/u_VsYLU9NS_tJXOrl6A4RM1Dne7QkuSslpBc0StgKSXXoIDStYoXqSwDo2tuxST00QD3ynVJH4yjAhcEzTWyM0F_RriCRx9yZdyygceY2wm-%3Ds0-d" /></a><br /><br /><br />II: Tjanting<br /><br /><a href="https://www.saltpublishing.com/products/tjanting-9781876857196"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh4.googleusercontent.com/proxy/efy1lIcVIKeKSdy_WUDIxV8WLN0OJmA3f7enQ2XDwxwt7Bh5ssfQQAkW_o4oG6FqrB1RGf7CX-Rw-VQ4u36RIuwSsCMxWjjHFDP4c7CbW2d_%3Ds0-d" /></a><br /><br /><br /><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx">III: The Alphabet<br /><br /></a><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx"><img id="ctl00_MainContent_ProductInfo1_ctl00_PrimaryImage_PrimaryImage" onclick="javascript:window.open(&#39;http://www.uapress.ua.edu//images/temp/212-1897-Product_LargeToMediumImage.jpeg&#39;, 1, &#39;resizable=1, width=500, height=700&#39;)" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh3.googleusercontent.com/proxy/OnaMjXm2h6XxneM04RgHx1Bkf2Wi9UE3a8c3o0NDvW5wXo7BK3MaM5VP9YfbEIpHYxAstTorwhNW4lhhkNuua5bDX7Ogr2UgZ1NMDDjeh-0bNnuo-WH-9pGHIR6lv-4-_UDHVNe36xB6%3Ds0-d" style="border: 1px solid Gray;" /></a><br /><div><br /></div><div>IV. from Universe</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div>
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<h2 class='title'>Other Books in Print</h2>
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<span style="font-weight: bold;">MEMOIRS &amp; COLLABORATIONS</span><br /><a href="https://www.amazon.com/Leningrad-American-Writers-Soviet-Union/dp/1562790056">Leningrad</a><br /><a href="http://www.thegrandpiano.org/">The Grand Piano</a><br /><a href="https://www.saltpublishing.com/products/under-albany-9781844710515">Under Albany</a><br /><br /><span style="font-weight: bold;">CRITICISM</span><br /><a href="http://www.spdbooks.org/Producte/0937804207/the-new-sentence.aspx">The New Sentence</a><br /><br /><span style="font-weight: bold;">ANTHOLOGY</span><br /><a href="https://secure.touchnet.com/C22921_ustores/web/classic/product_detail.jsp?PRODUCTID=327&SINGLESTORE=true">In The American Tree</a><br /><br /><br /><br />
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<br /><img alt="" src="file%3A///Users/Lynn/Desktop/silliman2a.jpg" / /><img alt="" src="file%3A///Users/Lynn/Library/Caches/TemporaryItems/moz-screenshot.png" / /><span style="color: #990000; font-weight: bold;">RON SILLIMAN</span> has written and edited 40 books, and had his poetry and criticism translated into 16 languages. Silliman was a 2012 Kelly Writers House Fellow, the 2010 recipient of the Levinson Prize from the Poetry Foundation, a 2003 Literary Fellow of the National Endowment for the Arts, a 2002 Fellow of the Pennsylvania Arts Council, and a 1998 Pew Fellow in the Arts. Silliman has a plaque in the walk dedicated to poetry in his home town of Berkeley and a sculpture in the Transit Center of Bury, Lancaster, a part of the Irwell Sculpture Trail. He lives in Chester County, Pennsylvania and teaches at the University of Pennsylvania.<br /><br /><br /><br /><br /><br /><br />(c) 2002-2019 by Ron Silliman.
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